Cultura
Perché ci facciamo del male?
Il video contiene estratti da: The Simpsons di Matt Groening (1989 – in corso, 20th Century Fox Television) The Father di Florian Zeller (2020, F comme Film, Trademark Films, Cine@) Split di M. Night Shyamalan (2016, Universal Pictures, Blinding Edge Pictures, Blumhouse Productions) Silver Linings Playbook di David O. Russell (2012, The Weinstein Company) Closer di Mike Nichols (2004, Columbia Pictures, Inside Track) Un chien andalou di Luis Buñuel (1929, Luis Buñuel, Salvador Dalí) Il portiere di notte di Liliana Cavani (1974, Lotar Film) Thirteen di Catherine Hardwicke (2003, Working Title Films, Antidote Films) Black Swan di Darren Aronofsky (2010, Fox Searchlight Pictures, Cross Creek Pictures, Protozoa Pictures, Phoenix Pictures, Dune Entertainment) Baby Reindeer di Richard Gadd (2024, Clerkenwell Films) Legally Blonde di Robert Luketic (2001, Metro-Goldwyn-Mayer, Type A Films, Marc Platt Productions) Girl, Interrupted di James Mangold (1999, Columbia Pictures, Red Wagon Entertainment) Dead Poets Society di Peter Weir (1989, Touchstone Pictures, Silver Screen Partners) Sleeping with the Enemy di Joseph Ruben (1991, 20th Century Fox) The Godfather di Francis Ford Coppola (1972, Paramount Pictures, Alfran Productions) I, Tonya di Craig Gillespie (2017, LuckyChap Entertainment, Clubhouse Pictures, AI Film) The Tree of Life di Terrence Malick (2011, Cottonwood Pictures, Plan B Entertainment, River Road Entertainment) Possession di Andrzej Żuławski (1981, Gaumont) Ultimo tango a Parigi di Bernardo Bertolucci (1972, PEA, Artistes Associés) La pianiste di Michael Haneke (2001, Arte France Cinéma, Bavaria Film International, Bayerischer Rundfunk, Canal+, CNC, Eurimages, Filmfonds Wien, Les Films Alain Sarde, Österreichischer Rundfunk) Manchester by the Sea di Kenneth Lonergan (2016, Pearl Street Films, K Period Media, The Media Farm, The Affleck/Middleton Project, B Story) The Big Lebowski di Joel ed Ethan Coen (1998, Working Title Films) Secretary di Steven Shainberg (2002, Double A Films, Twopoundbag Company) Succession di Jesse Armstrong (2018 – 2023, HBO Entertainment, Gary Sanchez Productions, Project Zeus, Hyperobject Industries) Raging Bull di Martin Scorsese (1980, United Artists, Chartoff-Winkler Productions) Persona di Ingmar Bergman (1966, Svensk Filmindustri) The Master di Paul Thomas Anderson (2012, The Weinstein Company, Annapurna Pictures, Ghoulardi Film Company) Blue Valentine di Derek Cianfrance (2010, Incentive Filmed Entertainment, Silverwood Films, Hunting Lane Films) Full Metal Jacket di Stanley Kubrick (1987, Warner Bros., Stanley Kubrick Productions, Natant) Höstsonaten di Ingmar Bergman (1978, Filmedis, Personafilm, Incorporated Television Company (ITC), Suede Film) Vargtimmen di Ingmar Bergman (1968, Svensk Filmindustri) Au Hasard Balthazar di Robert Bresson (1966, Parc Film, Argos Film, Athos Film, Svensk Filmindustri) A Gentle Woman di Robert Bresson (1969, Parc Film, Marianne Productions) Medea di Pier Paolo Pasolini (1969, Franco Rossellini) Normal People di Lenny Abrahamson, Hettie Macdonald (2020, Element Pictures, Screen Ireland, BBC Studios, Hulu) Fight Club di David Fincher (1999, Fox 2000 Pictures, Regency Enterprises, Linson Films) Phantom Thread di Paul Thomas Anderson (2017, Annapurna Pictures, Focus Features, Ghoulardi Film Company) Dancer in the Dark di Lars von Trier (2000, Peter Aalbæk Jensen, Vibeke Windeløv, Zentropa) The Fabelmans di Steven Spielberg (2022, Universal Pictures, Amblin Entertainment, Reliance Entertainment) Sick of Myself di Kristoffer Borgli (2022, Oslo Pictures, Garagefilm International, Film i Väst) Marriage Story di Noah Baumbach (2019, Heyday Films) Les Quatre Cents Coups di François Truffaut (1959, Les Films du Carrosse, S.E.D.I.F.) This Boy’s Life di Michael Caton-Jones (1993, Knickerbocker Films) La Casa De Papel di Álex Pina (2017 – 2021, Atresmedia, Vancouver Media, Netflix) Red Eye di Wes Craven (2005, DreamWorks Pictures, Benderspink, Craven-Maddalena Films) Carrie di Brian De Palma (1976, United Artists, Red Bank Films) Mommie Dearest di Frank Perry (1981, Paramount Pictures) Mean Girls di Mark Waters (2004, Paramount Pictures, Lorne Michaels Productions) Lost in Translation di Sofia Coppola (2003, Focus Features, American Zoetrope, Elemental Films) Call Me by Your Name di Luca Guadagnino (2017, Frenesy Film, La Cinéfacture, RT Features, Water’s End Productions) Sunset Boulevard di Billy Wilder (1950, Paramount Pictures) Barbie di Greta Gerwig (2023, Mattel, LuckyChap Entertainment, Mattel Studios, Heyday Films, NB/GG Pictures, Warner Bros.) Breaking the Waves di Lars von Trier (1966, Zentropa Entertainments) Die Bitteren Tränen Der Petra Von Kant di Rainer Werner Fassbinder (1972, Filmverlag der Autoren, Tango Film) Joker di Todd Phillips (2019, Warner Bros. Pictures, DC Films, Village Roadshow Pictures, Bron Studios, Joint Effort) The Roses di Jay Roach (2025, Searchlight Pictures, TSG Entertainment, South of the River Pictures, SunnyMarch, Delirious Media)